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01 Jul 2017




The Old Engravers of England: In Their Relation to Contemporary Life and Art, (1540-1800) (Classic Reprint)

by Malcolm C. Salaman

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Excerpt from The Old Engravers of England: In Their Relation to Contemporary Life and Art, (1540-1800)

But to lovers of old times, who would eagerly turn from their intimate delights among the pages of Pepys and Evelyn, Lord Hervey and Horace Walpole, Mrs. Delany, Fanny Burney, Mrs. Montagu, or any of the old chroniclers, diarists or letter-writers, to visualise their impressions with the contemporary prints, to them I venture to hope my pages may serve a little for guidance.

There is a charm about old prints quite apart from their quality as engravings. They are links of intimacy with bygone times. The printed page may stir us with vivid passages of history, or quicken our imaginations with the social sidelight, or the contemporary gossip of personal or fashionable import, but the prints of the period bring us at once eye _to eye with the people them selves. So we may see what they actually saw; the very faces and persons of their contemporaries, the costumes they wore, the attitudes they affected. So we may judge the taste of their day in the pictures that responded to it, and in the scenic aspect of their favourite plays. In a word, the old prints revive for us the human atmosphere of a past age.

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This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.




















The Old Engravers of England: In Their Relation to Contemporary Life and Art, (1540-1800) (Classic Reprint) Malcolm C. Salaman
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